Streaming Film VF Complet
8 Femmes Film Complet Vf Gratuit , Film Complet VF Gratuit, femmes || film complet et série vostfr
This romantic, political drama is about the reunion of an Algerian woman who abandoned her lover 35 years earlier to live in France, and the lover who chose to stay in Algeria and fight the French colonials.
Winner of the Djibril Diop Mambety award at the Cannes Festival in 2002, this film tells the story of 2 women stone crushers and their daily struggle for survival and dignity in today's Haiti. It shows the contrast between, on one hand, the Stone Age and on the other, the world of modern transportation
The agency À Votre Service has the reputation of meeting all needs. This is what Stanislas observes when his uncle replaces his mistress with a fiancée provided by the agency.
August 15, the vacations. Lots of people on the roads. And in particular, a young man on a motorcycle heading for the Midi. There, in a comfortable villa, he meets Emma: middle-aged, with charming children, money and a young girl's heart. In this villa, couples spend comfortable vacations. While the husbands discuss cars, play cards or wrestle with maids, the wives laze in the sun, make themselves beautiful, gossip, scratch each other's nails and dream, above all, of what their lives could be like with another companion. Each one takes stock of who she is and what lies ahead. For Emma, it could be a new start with the young man on the motorcycle she's been thinking about all day. But in the evening, everything goes wrong: a couple breaks up and a phone call announces that the expected guest has been involved in an accident; dead or injured, we don't know! For Emma, reality reweaves its torn web.
« Traces, women's imprints » is a film that ventures to the discovery of three grandmothers kassenas (Burkina Faso,) their granddaughter, and the exclusively feminine art of this region's mural paintings. Between these women's portraits and a traditional art form, « Traces » is a painting on paintings that reflects upon transmission, education and memory in the context of a world in mutation.
Alice Rémon, a pharmacist, is a prostitute who managed to leave the streets by getting married. Her husband dies one day, poisoned. Her mother-in-law, who hates her, accuses her of murder.
A remake of a pre-war French film success, Club de femmes is a seriocomedy centralized in an all-female boarding house. Forced to band together because of a housing shortage, the film's heroines set up camp in a deserted structure, despite the tongue-cluckings of local busybodies and do-gooders. Complications ensue when a huge corporation announces plans to raze the building and erect a factory. Amazingly, the ladies are saved by the very company that wants to evict them.
A rumour starts to affect the life of a ballet student.
Early in the war, a group of women decide to help the soldiers in the war front. They enlist the help of the wealthy Madame Marion.
When the long nightmare ended, most German women were perceived as passive witnesses to the horrors of the Nazi regime, but actually the leaders of the Third Reich used millions of them as an essential cog of their criminal machinery: they were members of the Nazi party, reproductive mothers, contributors to the war effort, factory workers, volunteers as guards in the death camps.
Two young women in crisis prepare the separation of one of them with her companion. Without knowing that they are watched by two serial killers...
A comparative portrait of two strong Afghan personalities, as seen through the eyes and the daily life of two exceptional women: Habiba Sorabi and Aïcha Habibi. The first personifies emerging democratic power; the second, the autocratic power of the warlords in remote provinces. Together, they represent the current rift in Afghanistan, except that it has nothing to do with bearded men in turbans, but rather two women of power in a world of men. How did they impose themselves? How do they exercise their authority? Is their way of governing different from that of men? How do their people perceive them? Are they moving for the liberation of women or merely perpetuating age-old inequalities? One bears the title of "wali" (governor) and the other “commander”. One answers to the authorities in Kabul; the other is loyal to the Mudjahadins who fought the Russians during the war, then then Taliban. Yet both are respected as "The Mothers of All".