Mot

Sarah is a middle-aged woman who hustles as the sole breadwinner of her family of two. As she scrambles to teach online courses and meet her food orders to provide for her son, her helper, Amy, wonders why her boss works so hard. Sarah’s son Emman doesn’t have a job and is often killing time at Amy’s by getting high and having sex. He’s a delinquent from all angles, but strangely possessive of his mother. One day, Sarah brings one of her students, Oliver, home to give him refuge from his violent father. Like throwing a catfish into a tank of sardines, Oliver’s appearance stirs Emman’s life and impacts his atypical relationship with Sarah. The change soon begins to crack Emman’s tank, and all the shocking secrets flood out uncontrollably.

Journalists Ichiro Sakai and Junko cover the wreckage of a typhoon when an enormous egg is found and claimed by greedy entrepreneurs. Mothra's fairies arrive and are aided by the journalists in a plea for its return. As their requests are denied, Godzilla arises near Nagoya and the people of Infant Island must decide if they are willing to answer Japan's own pleas for help.

When a sudden tragedy uproots the lives of two women and their families, they begin to question the relationships they once held so dear.

Satoshi loses his eyesight completely at the age of 9 despite numerous surgeries, but grows up with cheerful spirit thanks to his mother Reiko’s unconditional love. Surrounded by affection and friendship at high school, Satoshi’s future seems bright until one day his family realizes that he is losing his hearing as well. Determined to never give up, Reiko tries everything she can to give him hope.

Shipwreck survivors found on the presumably uninhabited Infant Island leads to a scientific expedition that discovers a surviving native population along with the Shobijin, tiny twin fairy priestesses of the island's mythical deity called Mothra. After the fairies are kidnapped by an exploitative businessman named Clark Nelson, Mothra sets out to rescue them.

After leaving her daughter Jessica in a small town in Pernambuco to be raised by relatives, Val spends the next 13 years working as a nanny to Fabinho in São Paulo. She has financial stability but has to live with the guilt of having not raised Jessica herself. As Fabinho’s university entrance exams approach, Jessica reappears in her life and seems to want to give her mother a second chance. However, Jessica has not been raised to be a servant and her very existence will turn Val’s routine on its head. With precision and humour, the subtle and powerful forces that keep rigid class structures in place and how the youth may just be the ones to shake it all up.

A cast of multidisciplinary artists give their interpretations of the language by juggling Quebec’s lively, accessible, and inclusive French. Developed in lexicon format, each episode presents a word from three perspectives: humorous, historical, and artistic.

The fairies from Infant Island discover a lost city, as well as a giant monster that is attracted to environmental calamities.