Mot

Alice and Celine are inseparable and share everything, from their daily routines to their secrets. Their perfect harmony is shattered when one of their sons dies in a tragic accident while under Alice’s care. Celine blames Alice for the death of her child and becomes obsessed with protecting her surviving son from any harm. Alice, on the other hand, feels guilty and paranoid that Celine is plotting to harm her and her family. A gripping battle of wills ensues as the two women spiral into madness and violence.

Captain Marianne Aubrais is a detective with the Le Havre Police Department. Should she believe a child who tells her that his mother is not his mother? After all, she is busy investigating a robbery that happened months ago. Stolen goods worth hundreds of thousands of euros have not been recovered and two fugitives are still at large. But if the kid’s story is not pure fantasy, it would be truly criminal to ignore it. The little boy’s memories are fading. If he is telling the truth, will he never grow up to be the adult he should have become? Will he finally be forced to accept the unthinkable and allow himself to be raised by a woman who may have abducted him?

Made in 1982, shelved for five years. Story opens with Lucja Krol's husband under the tram. She gives birth to her fourth son on the floor of their new apartment. Neighbor Wiktor, a communist intellectual, befriends the poverty-stricken family but is soon arrested and sent to jail. During the war Lucja narrowly escapes a Nazi roundup at the black market. Her sons hold ardent Communist meetings in their apartment, with her blessing. Lucja works hard, but without complaint. After the war, Klemens is inexplicably arrested, accused by the new regime of being a collaborator. Wiktor, now a high-ranking party member, trying to defend him, himself falls into disgrace. Klemens is tortured to "confess" and dies in jail, a Communist to the end. Lucja is never told about his fate.

Picucha may seem old-fashioned, but she has modern ideas and a great sense of humor. At 85 years old, she pushes the limits of her age and does everything she can for her family and friends. Sweet Mother illustrates the everyday life of the elderly with clarity and levity, and shows that youth actually starts at 80. In the role that earned her the 2013 International Emmy® Awards for Best Actress, Fernanda Montenegro adds another success to her list of characters, which includes an Oscar nomination for the film Central Station.

Two best friends. And their lust for each one's opponent mothers. Junhyeong and Daejin are best friends. One day Daejin’s mom visits Junhyeong who is heartbroken when he was disappointed in love. She suggests that she will teach him sex and make him a real man. Unlike Junhyeong, Daejin is popular guy to women. But he long since has fallen in love with Junhyeong’s mom. When Daejin hears Junhyeong’s parents seems to divorce, he decides to start expressing his affection to her.

After suffering through a long and unsuccessful series of fertility treatments, Satoko and her husband Kiyokazu make the decision to adopt a child. Six years after adopting a boy they named Asato, Satoko has quit her job to concentrate fully on her husband and son. The family lives a peaceful existence until the arrival of a stranger.

A new Mothra takes to the air and battles against Desghidorah to save all of humanity.

A woman whose single purpose in life is to marry a foreign-settled groom decides to marry a 36-year-old Dubai-returned professional who is desperate for a bride.

Rahi is pulled out from under the rubble after the bombing of their village by the allied forces. After a few days of being cared for by his mother, he leaves for Tehran. Years later, he grows up in a Tudeh family, but