The Women

Asai Michiko is a 28-year old housewife. Her husband is 38-year old Yoshio, who works at an advertisement agency. Five years into their marriage, Michiko finds out that Yoshio has been having an affair. Michiko visits the woman and begs her to break up with Yoshio. "Yoshio mentioned that he doesn't see his wife as a woman," she says, bringing Michiko to tears. Nogami Machiko is a 31-year old woman who works at a luxurious nightclub in Ginza. She is told by her lover whose child she bears, "Get an abortion." She too, is brought to tears. Three years later... Since her husband's affair, Michiko, now 31, has put every effort forward to become the adorable wife by studying the latest trends and fashion. Machiko, now 34, is an employed owner of a Ginza nightclub. One day, Okinaka Kazuko moves in across from the Asai family. She is there to take care of the house while her sister and her family are living in Osaka. Alone and lonely, she hopes to become close friends with Michiko. Koyanagi Shingo, Yoshio's client and president of a middle-sized company, takes Shingo to a luxurious Ginza nightclub after dinner. It's Machiko's club. Machiko has had feelings for Yoshio since he started visiting her establishment. When Shingo rises from his seat to leave, Yoshio does the same. But Machiko holds him back. "There's an annoying customer at another table. Can you stay a little longer for me?" After leaving the club, Shingo heads downtown to visit 18-year old Ito Mayumi who sings and plays the guitar. Although Shingo has a wife and a nearly adult-age son, all he can think about is his young lover. After finishing work, Machiko takes a taxi home with Yoshio. Machiko's apartment is just a station away from Yoshio's. In the taxi, Machiko spills coffee on Yoshio's suit. "We should clean this up immediately" she says and invites Yoshio in. Yoshio can't hold back his feelings as Machiko seduces him. Meanwhile, Michiko has reunited with Kondo Kei, a 26-year old calligrapher who was formerly a student of Michiko's father, a master in calligraphy...

The story of an airport and its air traffic control crew in a remote and northern Japanese town. Three of the air traffic controllers are female with one of them working with her dead fiancé's sister. The engaged man had gone to war and never returned.

Sophomore feature of Liu Miaomiao.

A man asks himself about the image of women who are offered for his gaze. A documentary about the image of women in fashion, film, and life.

Film about the struggle of women who work in municipal kindergartens and nurseries in Poznań (Poland). They fight for living wages and better conditions for themselves and the kids. In 2011, the women set up a union section. Since then they have learned to put pressure on their employers effectively, and they have also supported other workers during their struggles.

The first Women’s Air Derby was flown in 1929 with brave women making history by breaking into a competition that was thought to be for men only. They encountered sabotage, death, and all the difficulties of flying at the dawn of aviation. Today the Powder Puff Derby continues as the Air Race Classic. The modern-day racers carry out the legacy of the original racers with their adventurous spirit.

Celebrate International Women’s Day with this brand new inspiring film from LETTERS LIVE. In “LETTERS LIVE from the Archive: International Women’s Day”, remarkable letters are read by a diverse array of outstanding luminaries, including stunning performances from Olivia Colman, Gillian Anderson, Daisy Ridley, Caitlin Moran, Rose McGowan, Adwoa Aboah, Louise Brealey and more. Plus music from Roxanne Tataei.

When the long nightmare ended, most German women were perceived as passive witnesses to the horrors of the Nazi regime, but actually the leaders of the Third Reich used millions of them as an essential cog of their criminal machinery: they were members of the Nazi party, reproductive mothers, contributors to the war effort, factory workers, volunteers as guards in the death camps.

The second part of "Le monde de Paul Delvaux" (1944/1946)

In 1967 the director Vittorio Cottafavi produces the TV movie Le Troiane from Euripides. He uses the classical Italian translation by Enzio Cetrangolo, but creates an original way of film adaptation, inspired by the Brechtian conception of staging the ancient theater. He does not use costume or set design, but is based only on the simple performance of the actors, highlighted by the shooting technique. The absolute sense of tragedy is perceived by the public through emotional engagement and imagination. So, the Trojan war is all the wars and the pain of the Trojan women is the pain of all the victims of any war.

The painter Ahmed Hamdy chooses Zeinab to model for his next painting. She soon falls in love with him, but he doesn't feel the same, as he gets involved with another woman and takes advantage of her.

The film is a documentary about Angola. It tells of the heavy cost of war to women. After ten years of struggle for independence, the war in Angola had continued for another twenty years. The film explores the motives of the combatants, including Cuba and South Africa's apartheid government. In this film, Folly lets women tell their own stories. She shows the women from mid- or close-range, forcing the viewer to focus on their faces rather than their bodies or surroundings, and takes the time to let them say what they have to say, giving a unique women's perspective of the conflict. Folly participates in the film through her voice-over, giving a subjective element. She admits that she is not familiar with Angola, and certainly is not an authority. The film thus becomes a record of Folly's own journey of discovery.

Joo-yeon accidentally finds out that there is a woman who has disappeared from within her family. Along the way, she encounters women who have disappeared without a name.

A documentary that investigates the changing role of women and sex in society. Tales such as a female Satanist, stewardesses who are trying to show more skin, and a female doctor who's patients are nude military recruits are showcased

Behind every great time lord there's a great woman. Whether they're busting Daleks or the Doctor's ego, the women of Doctor Who prove that you don't need testosterone to save the universe.

The documentary presents a group of women who are close to the 60s and share a common past: they were the base of the first women’s soccer team in Brazil.