The Women

Portraits of three women who live and work in the infamous mines of El Cerro Rico in Bolivia. Work inside the mines has been limited to men, while the women are forced to work outside searching for mineral scraps on the side of the mountain. The film highlights the women's strength, determination and resilience in the face of struggle and hardship.

The workers of the clothing factory Brukman in Buenos Aires continue production during Argentina's financial collapse in 2001.

A documentary exploring the origins of the pioneers of women directors during the silent era.

Four young people get sucked into a time bending vortex to an apocalyptic future where women rule the earth.

Aimé Morin, a good-natured bookseller, is also one of the candidates in the local elections of his small town. He is well-liked by most but he also has political enemies. Among them is Lagarde, a journalist close to the latter. Lagarde takes advantage of Morin being on holiday in Paris to try and tarnish his reputation. His machination unfortunately works and poor Aimé finds himself mistaken for a sex maniac.

The story of Jiyan Tolhildan who fights for women’s freedom and against ISIS. This is a shortened TV version of the documentary film “Jiyan’s Story”.

In Song Dynasty, the market was bustling. Zhou Yao was 16 year-old, she liked to disguise herself as a man, sneaked into the largest market in the Capital City which was run by her father Zhou Zihai and had some fun. Because of the family background of her mother Liu Erniang, Zhou Yao seemed to have a special talent and interest in wrestling. However, the situation of market was complicated, with her second uncle and her father fighting for power and wealth, which cost Zhou Yao her parents' life and her home in a big fire. Then her second uncle Zhou Zishan "confiscated" all the property of Zhou's family.

Filled with questions about how the Occupation affects women on both sides of the conflict, Michal Aviad sets off on a journey through Israel and Palestine with two other women.

Winner of the Sakharov Prize 2014, Doctor Mukwege is internationally known as the man who mends thousands of women who have been raped during the 20 years of conflicts in the East of the Democratic Republic of the Congo, one of the poorest countries on the planet, despite its extremely rich sub-soil. His endless struggle to put an end to these atrocities and denounce the impunity enjoyed by the perpetrators is not welcome. At the end of 2012, the Doctor was the target of another attempt on his life, which he miraculously survived. Threatened with death, this doctor with an exceptional destiny now lives cloistered in his hospital in Bukavu under the protection of the United Nation peacekeepers. But he is no longer alone in his struggle. The women to whom he has restored physical integrity and dignity, stand beside him, true activists for peace, hungry for justice.

Celebrating London’s women mural artists, documenting WOM Collective's Street Art Jam and graffiti workshop at Stockwell Hall of Fame.

Using rare footage and exclusive interviews with filmmakers from all over the globe, "Reel Herstory" corrects the historic notion that women behind the scenes in motion pictures held peripheral careers compared with their male counterparts.

The wicked women of Hammer included such cult stars and screen legends as Bette Davis, Ingrid Pitt, Joan Fontaine, Martine Beswick, Tallulah Bankhead, Lizabeth Scott and more. This is nothing more than assembled clips from various Hammer productions narrated by Oliver Reed. It aired on Channel 4 in the UK in 1994 before select episodes were released on VHS.

The plot takes place in 1880, in the city of Rio de Janeiro, following the lives of three strong and determined women. Aurélia, Maria da Glória and Mila are great friends who attend etiquette classes together, but life doesn't take long to put them in completely different directions.

A reclusive millionaire puts an ad in the paper looking for seven "seductive and audacious women". Lured by the ad a horde of women descend on a golf course estate in rural Spain where they're whittled down to seven by a variety of bizarre contests.

Documentary composed of interviews with female partisans who survived the German invasion of Italy in World War II.

A documentary investigating the events leading up to a fertility ceremony of the Maasai women in Loita, Kenya.

August 15, the vacations. Lots of people on the roads. And in particular, a young man on a motorcycle heading for the Midi. There, in a comfortable villa, he meets Emma: middle-aged, with charming children, money and a young girl's heart. In this villa, couples spend comfortable vacations. While the husbands discuss cars, play cards or wrestle with maids, the wives laze in the sun, make themselves beautiful, gossip, scratch each other's nails and dream, above all, of what their lives could be like with another companion. Each one takes stock of who she is and what lies ahead. For Emma, it could be a new start with the young man on the motorcycle she's been thinking about all day. But in the evening, everything goes wrong: a couple breaks up and a phone call announces that the expected guest has been involved in an accident; dead or injured, we don't know! For Emma, reality reweaves its torn web.

Yamada and Notani meet for the first time at an arcade game booth outside a candy store. Shy Yamada is 19, living alone and beset with unspoken tragedy. She doesn't work or study, and confesses to suffering from anxiety. Notani, an older, self-proclaimed ‘traveler', bursts with unrestrained extroversion. She immediately assumes herself as Yamada's new partner, and roommate. They become inseparable, with Notani lugging Yamada to unintended adventures, some rather grim. Meanwhile, Notani's pessimistic views on dying and death.

Cronenberg's speculative historical work draws inspiration from the anatomical waxworks at the La Specola museum in Florence, Italy. These wax models, traditionally used for medical demonstrations, are given a new perspective in the film. Cronenberg's work reveals the vibrant and surprising aspects of these female wax corpses, which were previously seen as static and serious. As David Cronenberg explains: “The Specola wax figures were created as a teaching tool, capable of revealing the mysteries of the human body to those who could not access … real cadavers held in universities and hospitals. In their attempt to create whole, partially dissected figures, whose body language and facial expression did not show suffering or agony … the sculptors ended up producing living characters apparently overcome by ecstasy. It was this surprising stylistic choice that captured my imagination: what if it was the dissection itself that induced that tension, that almost religious rapture?”