Moving On

ON JUNE 4th 1989, CHINA WAS CHANGED FOREVER. Beijing, May, 1989. the world watched as a hundred students became a thousand, as thousands became a million - and a nation starved of freedom, cried out for a taste of democracy. In this compelling film, director Michael Apted (Nell, Gorillas in the Mist), captures the power and passion of the Tiananmen Square uprising through a unique combination of newsreel footage, dramatic re-enactments and extensive input from the actual student leaders. Exploring their personal histories, reflections and thoughts on the future. MOVING THE MOUNTAIN paints a portrait of courage, conviction, and commitment that the NEW YORK POST calls, "A soaring - and sobering - tribute to the human spirit."

Project: Moving sees a young professional explore and debate the trend of young people leaving Rīga for somewhere more suitable for living, particularly the town of Cēsis in the scenic Vidzeme region. "We are simply showing that right now Cēsis has become the hipster capital, and it's not bad at all. It's like a different kind of gentrification, and it affects not just a single quarter, but the entire town."

The Choreographer and filmmaker have collaborated on the work under some rules. 1. To structuralize the movements such as behaviour, pose and gesture of the commonplace. 2. No to emotion. 3. No to style. 4. To study the condition of secrets to place the body. 5. Direct demonstration not depiction. 6. To equalize the strength of movements. 7. To ensure the initiate of movements independently that does does not contribute to the representation. We did shoot during the day, and collect the images of ordinary landscape without intention. Projecting the inappropriate images of reality in juxtaposition with side by side would lasts as the form where might be acquaintance rather than the image of metaphor.

A chronicle of queer lust set against a greasy metallic environment of the last days of a factory that is about to shut down. Among the workers forced to idle away until the end of the week, Jacques, a young technician is busy dismantling a machine while, without noticing it, turning on some of the men around him!

Pablo and Fernando, owners of a children's book publishing company about to go bankrupt, have managed through unorthodox means to contract the country's best-selling author, Adela Mora. The evening of the official signing, Paco asks his friend to let him use his house for a love tryst while Fernando wines and dines Adela. At the same time, Paco's wife, Carmen, will be taking her lover to Rosa's house. From here on the rout begins, as Paco tries to get rid of Silvia, his secretary, and Carmen, her husband. Fernando thinks Rosa is cheating on him with Oscar, who thinks Fernando is gay and having an affair with his partner, while the soldier thinks his girlfriend is a professional...

Five actors meet in a house on Christmas Eve to make a movie. While waiting to have dinner with someone they don't know or if they're actually going to show up, they reveal secrets and look back on their lives. From this encounter, joys, frustrations, absences and passions surface at the edge of tension.

A truck drives into a square and a moveable tent is set up. Audience members enter and hear the faint voices from the cracks in society. As the tent becomes a convergence of the thoughts of those both on stage and off, we feel the power of resistance that the entire action entails. Functioning both as observer and participant, the director documents the tent's movements around Taiwan in the past decade.

The film takes us back to a moving, exciting and unforgettable period in time, the time of Liberation and emancipation. A young teacher – Partisan arrives in a small Serbian town. His wartime, partisan “pedagogy” conflicts with the old methods of work in schools. The children, of course, stand by their teacher, their true friend. The film is a child’s memory and remembrance of an evil, cruel period that left deep imprints in the children’s sensitive and delicate soul of entire generations whose childhood was wounded in the war. The story unfolds over a period of several months, between the fall of 1944 and the summer of 1945, when somewhere far away, in Japan, the atomic bomb is fried to announce a new-atomic era.

A cold landscape spreads across the reclaimed land. A road that stretches in a straight line. Hasegawa wanders into this place while his girlfriend, Yoko, is moving. However, the conversation between the two is awkward and doesn't mesh well. By chance, Hasegawa is left alone in this empty landscape. He starts playing with the bouncing ball. This work expresses the inability to communicate well and the feeling of loneliness through a cinematic space created by the contrast between the "stillness" of the landscape and the "motion" of a rolling ball. The sight of a single person standing alone in a desolate landscape has an almost existentialist feel to it.

When a woman unfairly suspects her husband of flirting with a shop assistant, she decides to flirt with their landlord to get revenge. Considered to be a lost film.

January 16, 1995. Tsuyoshi Takahashi, a young student at Shiokaze elementary, is driven solely to get excellent grades. Because of this he often ignores those around him in his pursuit of perfection. Miho, a young girl in his class that wishes he would appreciate the people around him. Kazu a sickly and bed ridden classmate that lives near him. January 17, the 1995 Kobe / Hyogoken-Nanbu Earthquake strikes killing more than 6000 people and leaving 300 000 more homeless. Measuring 6.9 on the Richter Scale, it was the largest Earthquake to hit Japan since the Great Kanto Earthquake of 1923. In the aftermath of the quake, Tsuyoshi's finds his priorities changing. Dealing with the death of one friend while helping another to cope with a very personal loss, Tsuyoshi is forced to mature into someone who can no longer ignore the suffering around him.

When you are four years old it is tough to be unfairly accused of stealing your father's favourite fountain pen. There is nothing else for Pelle but to leave home and go off by himself, all the way to Komfusenbo, way down at the bottom of the garden.

A criminal plots a bank robbery hinging on doubles of the employees.

Two rival dancers from disparate cultures battle it out under the mirrored ball in this low-budget feature.

The old man Petterson is trying to sleep but his cat Findus is keeping him awake, so they both agree that Findus shall have his own house.

Second movie of a dilogy about Russian paratroopers started with "V zone osobogo vnimaniya"

By order of the ministry, an experiment was launched at one of the large factories, during which young specialists took leadership positions...

Yu Wan Wan is reading a novel when she somehow enters it. She is now the heroine of the story, intending to marry Yan An Tang, the male lead of the story - ending the story with a kiss. Only by kissing the male lead is it possible for her to go back to the real world.

Members of a queer dance team, all in their 30s and 40s, decide to come out. This unprecedented documentary presents the story of LGBT people in South Korea through spectacular rhythms, music, and moves.