Personne Ne Me Séparera De Mon Enfant

With its fluid arrangement of black and white scenes paired with an immersive soundscape, Je me souviens d’un temps où personne ne joggait dans ce quartier is a celebration of the many faces of Park Extension. The film provides a glimpse inside a festive cultural gathering; the workshop of a meticulous artisan; and an alley where a young cyclist is learning to ride. With her restrained approach, the filmmaker hints little by little at a seemingly inevitable transformation, while the relentless onset of gentrification threatens the social fabric of a neighbourhood. After a critically acclaimed detour into audio documentary, Jenny Cartwright returns to the evocative force of images to evoke a rich and diverse community.

Several lives intersect when a middle-aged woman is left by her husband, and she decides to trek him down with the help of her equally troubled sister.

Live Hallangen is declared dead but hours later she suddenly wakes up with a sudden urge for blood. Meanwhile, her brother Odd tries to keep the family driven funeral home afloat.

Amanda, a fashion model, and a single mother is kidnapped by two brothers with plans to sell her on the dark web. Held hostage in a remote cabin, Amanda must do whatever it takes to escape her captors and get back to her daughter.

A hit man searches for an alcoholic prostitute who has witnessed a crime and fled to Madrid.

35-year-old Alice has a husband and a son. Her life seems a beautiful dream, but it soon turns out to be a nightmare. Her husband dies in a car accident and her lawyer tells her that she is on her uppers. The only way she has to earn money in a short time is by resorting to the oldest job in history.

A darkly humorous short documentary about a preschool-age boy ostracised from interactions with his classmates until a girl who has become interested in his pet crow provides the link to social acceptance.