Une Femme En Blanc Se Révolte

When Patouillard meets another woman at a street cafe, his jealous wife dresses up as a man in a suit and beard to spy on him.

A young mother, alone with her daughter, confides in a friend who happens to be the director herself. Chantal Akerman, although she sympathizes with the mother, does not say a word.

An insight into the novelist and philosopher Simone de Beauvoir, who was also a political activist and feminist.

Sophisticated romantic comedy of suspicious husbands, straying wives, handsome lovers, with various misunderstandings thrown in for good measure. (Including a gender-reversal of the old Pirandello plot twist from "The Late Mathias Pascal" of the protagonist changing identities after supposedly perishing in a train wreck.)

When her husband died Soumicha, mother of three, had to earn a living. She became the only woman taxi driver in Sidi Bel-Abbès, Algeria. This film accompanies Soumicha around a city where religious and political violence rages, and records her experiences in a job normally reserved for men.

After ten years of marriage, a woman decides to tell her husband about her libertine past. A cascade of revelations follows, all as unexpected as they are funny.

Preparing her gynecology thesis, Claude Sauvage, at the urging of a village doctor, Vincent Ferrière, agrees to replace him for a few days. During this time, she took it upon herself to abort the schoolteacher, who was afraid of giving birth to a handicapped child. But an anonymous letter denounces her, and she goes on trial.

The life of Gabrielle, head of surgery in Paris, married, childless

A look on transvestites and transsexuals in early 80's Paris. The documentary focuses on Elisa, a Brazilian transvestite and ends with a filming of a surgical operation male to female.

A César award nominated short feature.

Colette, une femme libre is a two-part French biographical TV film directed in 2003 by Nadine Trintignant and broadcast on January 251 and February 1 2004 on RTBF, then on April 26 and April 27 2004 on France 2. A biography of the writer Colette, it was also the last role for Marie Trintignant, who was killed by her partner Bertrand Cantat shortly before the end of filming at the end of July 2003.

After an interview whose theme is Senegalese immigrants in France, a piece by Sarah Maldoror appears. This is about the role of African women in social organization, founded on ideals of community solidarity.

A young aristocrat whose ruined father decided to marry her spends one last night as a bachelor at the boarding school ball. But there, cheerful students strip her of her clothes and she finds refuge precisely with her future husband whom she did not know. Of course, the marriage that was so repugnant to them fills them with joy.

A lieutenant of the French navy, ready to kill himself in despair, renounced his project after spending a night with a beautiful stranger. He ends up finding her, the heiress princess Lystrie. The German version (Königin einer Nacht) was an operetta, the Italian version (La donna di una notte) was a comedy, while the French version (La Femme d'une nuit) was a dramatic film.

A portrait of Carole Roussopoulos (1945 - 2009), who pioneered light video in France. Through extracts from her films, archival images, and interviews, the itinerary of a fighter who filmed the Women’s Liberation Movement, factory occupations, and early gay rights demands, and who, throughout her life, gave voice to the unknown—to the “voiceless”—participants in social struggles and movements for emancipation.

French TV star Nagui, described by Variety as "popular for his lowbrow-Letterman approach," portrays Zak, who learns about "the curse of Onan" experienced by males in his family. If Zak does not impregnate a woman before his 33rd birthday, the joys of sex evaporate forever. However, Zak's interest in married women creates a roadblock. Even his current girlfriend, art auctioneer Florence (Cristiana Reali) is a married mother of triplets. So Zak's rabbi cousin Joseph (Thomas Langmann) fixes him up with an attractive supermodel (Joanna Rhodes). It's a race against time before permanent impotence strikes.

In November 1966, Mr. Owens completed his first film Autre fois j'ai aimé une femme ("Once I Loved a Woman"), which in its short existence, has had special screenings both at the school of the Institute and Morton Hall, the Second City Film Center, and the Filmmakers' Cinematheque of New York. Upon viewing Autre fois, Gregory J. Markopoulos wrote "[Edward Owens] may well be one of the few for whom 'amateur' and 'professional' need have no significance whatsoever: true to his own native talents, with grim determination uncanny, whether the mind in the arts is for or against beauty or its opposite twin, chaos." —John F. Steward-Butkovich, Brotman & Sherman Theatres