Une Femme En Blanc Se Révolte

In November 1966, Mr. Owens completed his first film Autre fois j'ai aimé une femme ("Once I Loved a Woman"), which in its short existence, has had special screenings both at the school of the Institute and Morton Hall, the Second City Film Center, and the Filmmakers' Cinematheque of New York. Upon viewing Autre fois, Gregory J. Markopoulos wrote "[Edward Owens] may well be one of the few for whom 'amateur' and 'professional' need have no significance whatsoever: true to his own native talents, with grim determination uncanny, whether the mind in the arts is for or against beauty or its opposite twin, chaos." —John F. Steward-Butkovich, Brotman & Sherman Theatres

Her mother had advised her to marry to acquire respectability and material comfort, the obedient little girl married a successful Catholic writer a few years later, giving her two beautiful children, a spacious house, a few servants, and glittering social evenings. But in her thirties, Rose can no longer fall asleep at the side of her husband, who is imperturbably indifferent to her charms and neglects her, to develop, with more attentive ears, endless considerations on divine values in this world. So, in the evening, the young woman lets herself be drawn into pleasantly equivocal reveries. And if the day finds her repentant at the feet of her confessor, the night lurks again with its temptations and the virile torso of a handsome groom straight out of "Lady Chatterley's Lover", one of her clandestine reads.

Documentary about the tumultuous life of the famous scientist Marie Curie.

During an evening in a bar, Roger, a friendly cognac salesman and connoisseur, overhears a telephone conversation that intrigues him, then worries him: "... a few bullets to the head and she'll be dead in a minute...". Distraught, Roger follows the stranger who has taken his car. A relentless pursuit ensues. Roger arrives at a mysterious property where the "assassin" disappears to commit his crime. Knocked unconscious by the killer he fought and prevented from carrying out his crime, Roger regains his senses, comfortably installed in the living-room of an old colonel, Colonel Van Booren.

Alice, a widowed Frenchwoman, goes on a vacation to Italy. Upon her return, she relates the particulars of her holiday. Within a 24-hour time frame, Alice gets on the wrong boat, winds up in Switzerland where she whiles away the hours at a casino, meets a handsome young German army deserter named Thomas, spends the night with her new acquaintance, pays his sizeable gambling debts, and helps him elude the authorities...

Rose, 29 years of age, has one goal: leaving France and “going back to Noirie” [Blackland]. When Matthieu Bareyre, one of her closest friends, read her diary and offered to make it into a movie, she was given a once-in-a-lifetime opportunity to deal with some old demons of hers.

A young man is a collector of feminine conquests. One morning, leaving one of his mistresses he is addressed by one of his past flirts. As revenge, she denounces him later to the police as the murderer of her fiance who was found dead the same morning. With the help of his mistresses and some new ones he makes on the road, the young man goes in search of the man he thinks is the killer, then his blond consort with whom he fell in love at the first sight the evening before.

Claude Sauvage, a tenacious young gynecologist takes a months long internship in a Paris hospital. Between her private life and medical career, she set her doubts and desires in a society where the square and the plight of women remain at that time a secondary issue. The film follows Claude and the staff through the case of some patients while the crucial debate on women's professional ambition, contraception and abortion rights.

Documentary feature about Swiss writer Yvette Z'Graggen and her life, mixing voice-over, talking head, and some docu-drama. Directed by Frédéric Gonseth.

The story of mother Bahar, who carries the weight and love of two children in their hearts with enthusiasm in their hearts. Bahar, abandoned by her mother when she was eight years old, later lost her grandma and her father. When she thinks she is all alone, she meets Sarp, whom she delicately loves.

The unpredictable destiny of a woman abandoned by the man she loves. Who could have predicted that the simple address of a private detective agency, found by chance in the yellow pages of the directory, would throw her into a strange adventure and lead her to another existence?

A short film.

Jean-Claude Rousseau's Jeune femme à sa fenêtre lisant une lettre is not only his first medium-length film, but a chance to discover this filmmaker whom Jean-Marie Straub has called, along with Frans Van de Staak and Peter Nestler, the greatest working in Europe. With this newly restored print there is also a possibility to discover the relationship between Rousseau's art of filming and Jan Vermeer's famous painting. As Prosper Hillairet wrote in 1988, four years after Rousseau had finished Jeune femme ... (for the first time as we know today): «Without adopting the usual systematic spirit and form of cinéma structurel, Rousseau presents us with simple images and leaves it at that. Keeps the image in hand. A minimalist and ascetic expression of cinema: a shot that lasts.»

Author of the footage – Marcel Belanger – is terribly pleased to look at the face of his wife: that, in fact, is the plot, and who would argue. And so he watches her smile, and when she slips away, the camera lens stumbles upon garden gnomes, flowers, and bustle of the street.

The return of a young filmmaker to her home country, Cameroon, and her reunion with her mother.